Search: Starring Anais Demoustier

The film’s fast flowing current carries a number of character messages we can fish out, as if they were polished by the stream, all shiny and specific.

Fresh, frisky and surprisingly chaste considering the amount of bed-hopping going on.

What might have been a comic cliche with a cast of oddballs is so much more humane

Question: how can attractive women fall for someone as dull and useless as Clement? Answer: who knows.

Perhaps the most impressive version to date.

The chemistry between Demoustier and Marmaï is at least one Van de Graaff’s worth and Lellouche’s Armand has a playful ambivalence that works well.

This is the sort of story that will be familiar to viewers of the likes of Law & Order: Special Victims Unit, as the lifestyle of the accused is put on trial as much as her actions.

The deceptively simple ink and watercolour animation places the focus on movement so that we understand the characters through their behaviour rather than any reductive set of fixed images.

What makes all this work is the very straightforward and matter-of-fact way in which Dupieux approaches the story.

The film's action ultimately moves to a borderland between not just France and Spain, but also crime thriller and love story, dreams and reality.

Sexuality, Francois Ozon's latest film declares, can be as complex as desiring another person can be simple.

It all works together to pay tribute to the tiny, all important, personality-building feelings that are so often forgotten.

There is a complete disregard for any kind of consequence or continuity in this film, and you know that the rug could be pulled from under you at any second.

Miller's stance may remain resolutely ambiguous but it's intriguing nonetheless.

It is easy to admire Haneke's skill as a filmmaker, but harder to enjoy the experience.

Unique in humour, unique in form